I prefer shooting my own images when doing digital composites. This enables me to control the lighting and visualize the elements I need for the project. Ocassionally some images are so powerful that they can stand on their own with little or no digital manipulation.  Click on image to enlarge.

Model: Ashley Davies

This is an image I did to promote Kodak's new electronic paper and color management system for digital imaging. The concept is to show the difference between the colors of the old paper and the vibrancy and the "snap" of the new one. Note the difference in the reds the blues and the fleshtone colors as the paper is ripped. The requirement is to show a lot of the basic colors and fleshtones.

Model: Jennifer Welsh

I took these images of Jennifer Welsh for several digital projects I needed. See 2D-samples for the finished composites. If you haven't noticed already, she's got the EYES! She modeled on several of my 2D samples: Digital Art, Queen, Mermaid and Welsh.

Model: Anna Holmberg

"Extra-Lite", an exhibit structure company specializing in light weight portable structures, picked this image to promote their 30" x 90" structure mainly because of its gleaming colors and over all visual impact. The image on the left is the original photo and the one on the right is the actual image displayed.

Model: Anna Holmberg

Another photo of Anna Holmberg taken at the Gran Cenote underground natural river in Mexico.

Model: Jennifer Franklin

Jennifer Franklin is my most supportive model. She is always very enthusiastic and full of ideas with every project. She is also very easy to work with even in the most gruelling situations. This photo was taken at Cozumel, Mexico.

Location: France

Everyone's got a night shot on their portfolio, this is mine! This was taken on top of a Cathedral in downtown Cannes, France.